To the Library!
Visit the Tappan Fine Art library and pick up a book at random, turn to page 46 or 146 and write down the third complete sentence or the artwork on that page. Take a photo of the book and submit it along with your documentation.
I selected Carpets and Textiles in the Iranian World 1400-1700. It has an unassuming cover and binding, but after taking an introduction to Islamic art class last semester I was eager to see what gems lay inside. On page 146, there is an image of a painting from a Shahnama. The Shahnama is an Iranian epic about the kings of Iran throughout the ages. The third sentence reads, "While such cautions should be observed when studying the treatment of textiles in the great commissioned manuscripts, a change of direction occurred in the mid-16th century in painting, which made it possible to depict dress in greater detail." The rest of the page discusses the development in Iranian painting that lead to the change in convention. Shah Tahmasp disbanded has book atelier (the imperial book making workshop) because his theological attitude became more strict in regards to image making. Many of the artists he once employed found new jobs in Shiraz where they were free to exploring new forms of figural imagery. Some of these new compositions focused on one or two large figures, which allowed the artists to use more details such as textile embellishment.
The name of the book I picked is Unbuilt Roads: 107 Unrealized Projects. On page 46, there is a proposal for an installation and the third sentence reads, "I would like to challenge the hierarchical structure which is placed on the different orifices of the body, the upper orifices being considered more respectable than the lower ones and all the functions related to the lower ones being completely sreened-off and tabooed".