Far from being frowned upon as uncreative, in China, Korea, and Japan, copying has long been considered a valuable practice. Through works of art spanning ancient to contemporary times, Copies and Invention in East Asia challenges our understanding of originality, and presents copying as an act of imaginative interpretation. The exhibition includes burial goods that conjure a world for the deceased; Buddhist sculptures produced in multiples to amplify religious experience and meaning; paintings in which a master’s brushstrokes are faithfully duplicated as a way of shaping the self; and contemporary works that address multiplicity and duplication in the modern world. A museum docent will interpret the complex ways that Asian artists have produced multiple artworks through time.
Copies and Invention in East Asia
Lead support is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, School of Information, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.